E-text prepared by Jonathan Ingram, Alison Hadwin,
and the Project Gutenberg Online Distributed Proofreading Team








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LITERARY TASTE

HOW TO FORM IT

WITH DETAILED INSTRUCTIONS FOR

COLLECTING A COMPLETE LIBRARY OF ENGLISH LITERATURE

BY

ARNOLD BENNETT

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First Published 1909








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CONTENTS

CHAPTER I

THE AIM    1

CHAPTER II

YOUR PARTICULAR CASE    9

CHAPTER III

WHY A CLASSIC IS A CLASSIC    18

CHAPTER IV

WHERE TO BEGIN    26

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CHAPTER V

HOW TO READ A CLASSIC    34

CHAPTER VI

THE QUESTION OF STYLE    43

CHAPTER VII

WRESTLING WITH AN AUTHOR    59

CHAPTER VIII

SYSTEM IN READING    68

CHAPTER IX

VERSE    76

CHAPTER X

BROAD COUNSELS    91

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CHAPTER XI

AN ENGLISH LIBRARY: PERIOD I    99

CHAPTER XII

AN ENGLISH LIBRARY: PERIOD II    108

CHAPTER XIII

AN ENGLISH LIBRARY: PERIOD III    114

CHAPTER XIV

MENTAL STOCKTAKING    127

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CHAPTER I

THE AIM

At the beginning a misconception must be removed from the path. Many people, if not most, look on literary taste as an elegant accomplishment, by acquiring which they will complete themselves, and make themselves finally fit as members of a correct society. They are secretly ashamed of their ignorance of literature, in the same way as they would be ashamed of their ignorance of etiquette at a high entertainment, or of their inability to ride a horse if suddenly called upon to do so. There are certain things that a man ought to know, or to know about, and literature is one of them: such is their idea. They have learnt to dress themselves with propriety, and to behave with propriety on all occasions; they are fairly "up" in the questions of the day; by industry [pg 2] and enterprise they are succeeding in their vocations; it behoves them, then, not to forget that an acquaintance with literature is an indispensable part of a self-respecting man's personal baggage. Painting doesn't matter; music doesn't mat

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