Transcriber’s Note: Following the author’s intent, this e-text preservesthe original’s spelling and stylistic features, including extra spacingbetween words (created using the U+2003 EM SPACE character ( ) three timesin a row).

Cover image

[1]

IMPROVISATIONS

[2]

By William Carlos Williams

  • The Tempers
  • Al Que Quiere!
  • Kora in Hell

[3]


[4]

Drawing by Stuart Davis


[5]

KORA IN HELL:
IMPROVISATIONS

BY
WILLIAM CARLOS WILLIAMS

Imprimatur of the Four Seas Company

Boston
The Four Seas Company
1920

[6]

Copyright, 1920, by
The Four Seas Company

The Four Seas Press
Boston, Mass., U. S. A.


[7]

TO FLOSSIE


[8]

PROLOGUE


[9]

PROLOGUE

THE RETURN OF THE SUN

Her voice was like rose-fragrance waltzing in the wind.
She seemed a shadow, stained with shadow colors,
Swimming through waves of sunlight.…

The sole precedent I can find for the broken style of myprologue is Longinus on the Sublime and that one far-fetched.

When my mother was in Rome on that rare journey foreverto be remembered, she lived in a small pension near the Pinciogardens. The place had been chosen by my brother as onenotably easy of access, being in a quarter free from confusionof traffic, on a street close to the park and furthermore the tramto the American Academy passed at the corner. Yet never didmy mother go out but she was in fear of being lost. By turningto the left when she should have turned right, actually she didonce manage to go so far astray that it was nearly an hour beforeshe extricated herself from the strangeness of every new vistaand found a landmark.

There has always been a disreputable man of picturesquepersonality associated with this lady. Their relations have beenmarked by the most rollicking spirit of comradeship. Now it hasbeen William, former sailor in Admiral Dewey’s fleet at Manila,then Tom O’Rourck who has come to her to do odd jobs and tobe cared for more or less when drunk or ill, their Penelope.William would fall from the grapearbor much to my mother’samusement and delight and to his blustering d

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