SMITHSONIAN INSTITUTION—BUREAU OF ETHNOLOGY.

[Pg 437]


ORIGIN AND DEVELOPMENT

OF

FORM AND ORNAMENT IN CERAMIC ART.

BY

WILLIAM H. HOLMES.


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CONTENTS.

Page.
Introductory443
Origin of form445
By adventition445
By imitation445
By invention450
Modification of form450
By adventition450
By intention452
Origin of ornament453
From natural objects454
From artificial objects455
Functional features455
Constructional features456
From accidents attending construction457
From ideographic and pictorial subjects457
Modification of ornament457
Through material458
Through form458
Through methods of realization459

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ILLUSTRATIONS.

Fig.
464.—Form derived from a gourd446
465.—Form derived from a conch, shell
...

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