E-text prepared by Juliet Sutherland, Jennifer Goslee,
and the Project Gutenberg Online Distributed Proofreading Team








OLD-FASHIONED
FAIRY TALES.

 

 

BY

JULIANA HORATIA EWING.

 

 

LONDON:
SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE,
NORTHUMBERLAND AVENUE, W.C.
NEW YORK: E. & J.B. YOUNG & CO.

 

 

[Published under the direction of the General Literature Committee.]

 

 

DEDICATED

to my dear sister,

UNDINE MARCIA GATTY.

J.H.E.

 

 

"Know'st thou not the little path
That winds about the Ferny brae,
That is the road to bonnie Elfland,
Where thou and I this night maun gae."

Thomas the Rhymer.

 

 

 

 

PREFACE.

As the title of this story-book may possibly suggest that the tales are old fairy tales told afresh, it seems well to explain that this is not so.

Except for the use of common "properties" of Fairy Drama, and a scrupulous endeavour to conform to tradition in local colour and detail, the stories are all new.

They have appeared at intervals during some years past in "Aunt Judy's Magazine for Young People," and were written in conformity to certain theories respecting stories of this kind, with only two of which shall the kindly reader of prefaces be troubled.

First, that there are ideas and types, occurring in the myths of all countries, which are common properties, to use which does not lay the teller of fairy tales open to the charge of plagiarism. Such as the idea of the weak outwitting the strong; the failure of man to choose wisely when he may have his wish; or the desire of sprites to exchange their careless and unfettered existence for the pains and penalties of humanity, if they may thereby share in the hopes of the human soul.

Secondly, that in these household stories (the models for which were originally oral tradition) the thing most to be avoided is a discursive or descriptive style of writing. Brevity and epigram must ever be soul of their wit, and they should be written as tales that are told.

The degree in which, if at all, the following tales fulfil these conditions, nursery critics must decide.

There are older critics before whom fairy tales, as such, need excuse, even if they do not meet with positive disapprobation.

On this score I can only say that, for myself, I believe them to be—beyond all need of defence—most valuable literature for the young. I do not believe that wonder-tales confuse children's ideas of truth. If there are young intellects so imperfect as to be incapable of distinguishing between fancy and falsehood, it is surely most desirable to develop in them the power to do so; but, as a rule, in childhood we appreciate the distinction with a vivacity which, as elders, our care-clogged memories fail to recall.

Mor

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