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Footnotes have been numbered continuously within each chapter. Textprinted in blackletter (“gothic”) type is shown in the e-text assans-serif.
There is no table of contents, but the List of Illustrations givesthesame information. The nine chapters of the printed book are distributedamong separate files: Chapters I-III, Chapters IV-V, and then a separatefile for each of Chapters VI-IX. Note that pages 561*-600* (most ofChapter VIII) come before pages 561-600 (Chapter IX).
In the printed book, lines were about this long:
Among the more remarkable single subjects engraved on woodfrom
Durer’s designs, the following are most frequently referred to: Godthe
Father bearing up into heaven the dead body of Christ, with thedate
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Notice to the Second Edition (by Henry Bohn)
Mr. Jackson’s Preface
Mr. Chatto’s Preface
Chapter I (separate file)
Chapter II (separatefile)
Chapter III (separatefile)
Chapter IV (separate file)
Chapter V (separate file)
Chapter VI (separate file)
Chapter VII (separate file)
Chapter VIII (separate file)
Chapter IX (separate file)

William Blake.
W. J. Linton.
DEATH’S DOOR.
Historical and Practical
WITH UPWARDS OF THREE HUNDRED ILLUSTRATIONS
ENGRAVED ON WOOD
BY JOHN JACKSON.
THE HISTORICAL PORTION BY W. A. CHATTO.
Second Edition
WITH A NEW CHAPTER ON THE ARTISTS OF THE PRESENTDAY
BY HENRY G. BOHN
AND 145 ADDITIONAL WOOD ENGRAVINGS.
LONDON
HENRY G. BOHN, YORK STREET, COVENTGARDEN.
M.DCCC.LXI.