| CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV CHAPTER XLVI CHAPTER XLVII CHAPTER XLVIII CHAPTER XLIX CHAPTER L | THE TOWER AMONG THE APENNINES SUNSHINE THE PEDIGREE OF MONTE BENI MYTHS THE OWL TOWER ON THE BATTLEMENTS DONATELLO’S BUST THE MARBLE SALOON SCENES BY THE WAY PICTURED WINDOWS MARKET-DAY IN PERUGIA THE BRONZE PONTIFF’S BENEDICTION HILDA’S TOWER THE EMPTINESS OF PICTURE GALLERIES ALTARS AND INCENSE THE WORLD’S CATHEDRAL HILDA AND A FRIEND SNOWDROPS AND MAIDENLY DELIGHTS REMINISCENCES OF MIRIAM THE EXTINCTION OF A LAMP THE DESERTED SHRINE THE FLIGHT OF HILDA’S DOVES A WALK ON THE CAMPAGNA THE PEASANT AND CONTADINA A SCENE IN THE CORSO A FROLIC OF THE CARNIVAL MIRIAM, HILDA, KENYON, DONATELLO |
It was in June that the sculptor, Kenyon, arrived on horseback at the gate of an ancient country house (which, from some of its features, might almost be called a castle) situated in a part of Tus