FROM THE PERIOD OF THE REVIVAL OF
TO THE END OF THE EIGHTEENTH CENTURY:
J. M'Creery, Tooks Court,
Chancery Lane, London.
| CHAP. I. | ||
| MANTUAN SCHOOL. | ||
| Page | ||
| Epoch I. | Of Mantegna and his successors | 5 |
| Epoch II. | Giulio Romano and his school | 14 |
| Epoch III. | Decline of the school, and foundation of an academy inorder to restore it | 26 |
| CHAP. II. | ||
| MODENESE SCHOOL. | ||
| Epoch I. | The old masters | 32 |
| Epoch II. | Imitation of Raffaello and Coreggio in the sixteenthcentury | 42 |
| Epoch III. | The Modenese artists of the seventeenth century chieflyfollow the example of the Bolognese | 57 |
| CHAP. III. | ||
| SCHOOL OF PARMA. | ||
| Epoch I. | The ancients | 74 |
| Epoch II. | Coreggio, and those who succeeded him in hisschool | 79 |
| Epoch III. | Parmese school of the Caracci, and of other foreignersuntil the period of the foundation of the academy | 134 |
| CHAP. IV. | ||
| SCHOOL OF CREMONA. | ||
| Epoch I. | The ancients | 148 |
| Epoch II. | ||