LOVE-AT-ARMS


Being a narrative excerpted from the chronicles of Urbino during the
dominion of the High and Mighty Messer Guidobaldo da Montefeltro



By Rafael Sabatini

               “Le donne, i cavalier', l'arme, gli amori,                Le cortesie, l'audace imprese io canto.”                                                     ARIOSTO          






CONTENTS


CHAPTER I.   VOX POPULI

CHAPTER II.   ON A MOUNTAIN PATH

CHAPTER III.   SACKCLOTH AND MOTLEY

CHAPTER IV.   MONNA VALENTINA

CHAPTER V.   GIAN MARIA

CHAPTER VI.   THE AMOROUS DUKE

CHAPTER VII.   GONZAGA THE INSIDIOUS

CHAPTER VIII.   AMONG THE DREGS OF WINE

CHAPTER IX.   THE “TRATTA DI CORDE”

CHAPTER X.   THE BRAYING OF AN ASS

CHAPTER XI.   WANDERING KNIGHTS

CHAPTER XII.   THE FOOL'S INQUISITIVENESS

CHAPTER XIII.   GIAN MARIA MAKES A VOW

CHAPTER XIV.   FORTEMANI DRINKS WATER

CHAPTER XV.   THE MERCY OF FRANCESCO

CHAPTER XVI.   GONZAGA UNMASKS

CHAPTER XVII.   THE ENEMY

CHAPTER XVIII.   TREACHERY

CHAPTER XIX.   PLOT AND COUNTERPLOT

CHAPTER XX.   THE LOVERS

CHAPTER XXI.   THE PENITENT

CHAPTER XXII.   A REVELATION

CHAPTER XXIII.      IN THE ARMOURY TOWER

CHAPTER XXIV.   THE INTERRUPTED MASS

CHAPTER XXV.   THE CAPITULATION OF ROCCALEONE






CHAPTER I. VOX POPULI

From the valley, borne aloft on the wings of the evening breeze, rose faintly the tolling of an Angelus bell, and in a goat-herd's hut on the heights above stood six men with heads uncovered and bowed, obeying its summons to evening prayer. A brass lamp, equipped with three beaks, swung from the grimy ceiling, and, with more smoke than flame, shed an indifferent light, and yet a more indifferent smell, throughout the darkening hovel. But it sufficed at least to reveal in the accoutrements and trappings of that company a richness that was the more strikin

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