THE ACORN-PLANTER

A California Forest Play
Planned To Be Sung By Efficient Singers
Accompanied By A Capable Orchestra

By Jack London

1916






Contents

ARGUMENT

PROLOGUE

ACT I.

ACT II.

EPILOGUE





ARGUMENT

     In the morning of the world, while his tribe     makes its camp for the night in a grove, Red     Cloud, the first man of men, and the first man     of the Nishinam, save in war, sings of the duty     of life, which duty is to make life more abundant.     The Shaman, or medicine man, sings of     foreboding and prophecy. The War Chief, who     commands in war, sings that war is the only     way to life. This Red Cloud denies, affirming     that the way of life is the way of the acorn-     planter, and that whoso slays one man slays     the planter of many acorns. Red Cloud wins     the Shaman and the people to his contention.     After the passage of thousands of years, again     in the grove appear the Nishinam. In Red     Cloud, the War Chief, the Shaman, and the     Dew-Woman are repeated the eternal figures     of the philosopher, the soldier, the priest, and     the woman—types ever realizing themselves     afresh in the social adventures of man. Red     Cloud recognizes the wrecked explorers as     planters and life-makers, and is for treating     them with kindness. But the War Chief and     the idea of war are dominant The Shaman     joins with the war party, and is privy to the     massacre of the explorers.     A hundred years pass, when, on their seasonal     migration, the Nishinam camp for the night in     the grove. They still live, and the war formula     for life seems vindicated, despite the imminence     of the superior life-makers, the whites, who are     flooding into California from north, south, east,     and west—the English, the Americans, the     Spaniards, and the Russians. The massacre by     the white men follows, and Red Cloud, dying,     recognizes the white men as brother acorn-planters,     the possessors of the superior life-formula     of which he had always been a protagonist.     In the Epilogue, or Apotheosis, occur the     celebration of the death of war and the triumph     of the acorn-planters.





PROLOGUE

     Time. In the morning of the world.     Scene. A forest hillside where great trees stand with wide     spaces between. A stream flows from a spring that bursts     out of the hillside. It is a place of lush ferns and brakes,     also, of thickets of such shrubs as inhabit a redwood forest     floor. At the left, in the open level space at the foot of the     hillside, extending out of sight among the trees, is visible a     portion of a Nishinam Indian camp. It is a temporary     camp for the night. Small cooking fires smoulder. Standing     about are withe-woven baskets for the carrying of supplies     and dunnage. Spears and bows and quivers of arrows lie     about. Boys drag in dry branches for fir                        
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