Library Edition


THE COMPLETE WORKS

OF

JOHN RUSKIN

 

STONES OF VENICE
Volume III

GIOTTO

LECTURES ON ARCHITECTURE

HARBOURS OF ENGLAND

A JOY FOREVER


NATIONAL LIBRARY ASSOCIATION
NEW YORK CHICAGO


Transcriber's Note: This e-text contains a phrase in Greek.In the original text, some of the Greek characters have diacritical marks which do not display properlyin some browsers, such as Internet Explorer. In order to make this e-text as accessible as possible,the diacritical marks have been omitted, and a modern theta (θ) is used in place of an old-style theta.All text in Greek has a mouse-hover transliteration, e.g.,καλος.


THE COMPLETE WORKS

OF

JOHN RUSKIN

VOLUME X


GIOTTO AND HIS WORKS

LECTURES ON ARCHITECTURE

THE HARBORS OF ENGLAND

POLITICAL ECONOMY OF ART (A Joy Forever)


GIOTTO

AND HIS WORKS IN PADUA

BEING

AN EXPLANATORY NOTICE OF THE SERIES OF
WOODCUTS EXECUTED FOR THE ARUNDEL
SOCIETY AFTER THE FRESCOS IN
THE ARENA CHAPEL


CONTENTS.

ADVERTISEMENT.

GIOTTO AND HIS WORKS IN PADUA.

SERIES OF SUBJECTS.

Footnotes.


ADVERTISEMENT.

The following notice of Giotto has not been drawn up with any idea ofattempting a history of his life. That history could only be writtenafter a careful search through the libraries of Italy for alldocuments relating to the years during which he worked. I have no timefor such search, or even for the examination of well-known andpublished materials; and have therefore merely collected, from thesources nearest at hand, such information as appeared absolutelynecessary to render the series of Plates now published by the ArundelSociety intelligible and interesting to those among its Members whohave not devoted much time to the examination of mediæval works. Ihave prefixed a few remarks on the relation of the art of Giotto toformer and subsequent efforts; which I hope may be useful inpreventing the general reader from either looking for what the painternever intended to give, or missing the points to which his endeavourswere really directed.

J.R.


[Pg 1]

GIOTTO

AND HIS WORKS IN PADUA.

Towards the close of the thirteenth century, Enrico Scrovegno, a noblePaduan, purchased, in his native city, the remains of the RomanAmphitheatre or Arena from the family of the Delesmanini, to whomthose remains had been granted by the Emperor Henry III. of Germany in1090. For the power of making this purchase, Sc

...

BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!


Sitemize Üyelik ÜCRETSİZDİR!