J. M'Creery, Tooks Court,
Chancery Lane,London.
| Page | ||
| Epoch I. | The old masters | 1 |
| Epoch II. | Raffaello and his school. | 48 |
| Epoch III. | The art declines, in consequence of the public calamities ofRome, and gradually falls into mannerism | 124 |
| Epoch IV. | Restoration of the Roman school by Barocci and other artists,subjects of the Roman state and foreigners | 177 |
| Epoch V. | The scholars of Pietro da Cortona, from an injudicious imitationof their master, deteriorate the art—Maratta and others supportit | 262 |
| Epoch I. | The old masters | 345 |
| Epoch II. | Modern Neapolitan style, founded on the schools of Raffaello andMichelangiolo | 368 |
| [Pgii]Epoch III. | Corenzio, Ribera, Caracciolo, flourish in Naples—Strangerswho compete with them | 389 |
| Epoch IV. | Luca Giordano, Solimene, and their scholars | 426 |